You’re familiar with the throbbing headache that comes along with learning how to market your books.
There’s so much industry jargon!
And learning marketing terms can feel a lot like learning a new language.
You guys, I tried so hard to learn Italian. But shy of moving to Rome for a year, I don’t see it happening. Because language is hard.
But when it comes to becoming a bestselling self-published author, you have to learn the (often unsexy) language of marketing. Because when you understand the terminology and what it means for your book ads, you can generate better results.
When I typed 1620 into Google, I was thinking in terms of the year. I had pictured corsets made of whale bone and gentlemen throwing their waist coats over a puddle for their lady friend to walk over. Romance. Chivalry. Historical. I can write about that. Here’s what I got.
For some readers, that is.
Self-published novels, you say? They’re poorly written, badly edited and usually have zero in terms of a traceable plot line. No doubt, indie authors are ruining it for everyone, especially for those writers toiling away at more traditional publishing routes.
Heard of the magical, mystical world of self-publishing? Then you’ve probably encountered one or more of these snarky opinions (and much worse). Miraculously (I know that this will shock many of you) “self-published work” isn’t always synonymous with “terrible.” In fact dear challenger of that previous statement, I could share a disturbingly long list of traditionally published work that’s a total waste of shelf space. We all have our opinions.